The built-in ZEISS® Vario-Sonnar T* 24-200mm F2.8-4.5 zoom lens covers a broad zoom range equivalent to two standard zoom lenses (24-70mm and 70-200mm), all in a very compact size. It's configured with eight aspherical lens elements with 13 aspherical faces to achieve maximum resolution, clarity and contrast across the entire zoom range, and all the way out to the edge of the image. Four of Sony's original AA (advanced aspherical) elements help minimise spherical, coma and chromatic aberrations.

The newly developed Exmor RS™ 1.0-type stacked CMOS image sensor works in tandem with the latest BIONZ X™ image-processing engine to deliver powerful levels of performance. The result is fast, Blackout-free Shooting at up to 20fps and Single Burst Shooting at up to 90fps. Reliable AF/AE tracking is possible thanks to rapid arithmetic processing at 60 times/sec. to predictively track subject motion, and the electronic viewfinder and LCD monitor also benefit, with improved image quality and smooth 60fps display during shooting. 

Now you can rely on Blackout-free Shooting at up to 20fps, complete with AF/AE tracking, so you won't lose track of a moving subject even at telephoto range. Precise, reliable AF/AE tracking is based on high-speed arithmetic processing at up to 60 times per second during continuous shooting.  (A) Blackout-free Shooting  (B) Shooting with blackouts

A new high-density Single Burst Shooting mode is available to capture true split-second action. You can take seven still shots in rapid succession at shooting speeds equivalent to 90fps, 60fps or 30fps by pressing the shutter button. Both JPEG and RAW formats are supported, and the self-timer can be used.  [1] 90fps ( 0.011 sec. )  [2] 7photos

The fast, highly accurate autofocus can achieve a remarkable 0.02-sec. acquisition speed, the world's fastest , to capture fleeting moments with precision. A total of 357 focal-plane phase-detection AF points covering approx. 68% of the image area – the most in the world – work in conjunction with 425 contrast-detection AF points and High-density AF Tracking Technology to follow even erratically moving subjects reliably.

For the first time in the RX series, Real-time Tracking is supported. When you're tracking a fast-moving subject, the camera's motion tracker uses a sophisticated subject recognition algorithm (AI) that draws on colour, pattern (brightness), distance (depth) and face/eye information to automatically recognise and maintain focus on your subject. During continuous shooting, the camera relies on AF calculations at up to 60 times/sec. to maintain high-accuracy tracking even as the subject's position changes moment by moment. Tracking can also be initiated through touch operation, for both stills and movies.

Real-time Eye AF detects and focuses on the eyes of your subjects, even when part of the face is hidden, the face is backlit or the subject is facing downwards.With up to 60 AF calculations per second , the RX100 VII's AF enables powerful continuous shooting, and stunning portrait shots through precise focusing on your subject's eyes – person or animal . For human subjects, activating Real-time Eye AF simply requires a half-press of the shutter button.

The 20.1MP, 1.0-type stacked CMOS image sensor uses back-illumination technology for increased light-collection efficiency. The standard ISO range is 100-12800, expanded to ISO64 and ISO80 for stills. In conjunction with the processor, it delivers high perceived resolution, low noise, highly accurate colour reproduction and natural skin tones.

The camera offers a range of special effects for your photos. Soft Skin mode reduces small facial wrinkles and skin dullness while preserving the clarity of the subject's eyes and mouth, and Beauty Effect can be used on images that are already shot. Auto HDR results in a higher dynamic range, reproducing gradations in brightness and contrast that are close to what the human eye perceives. A range of Creative Style and Picture Effect options helps you create unique images.

The camera's built-in image stabilisation delivers the equivalent of a 4.0-stop shutter speed increase at 200mm , to compensate for camera shake during hand-held shooting, even in telephoto or low-light conditions. Combined with the camera's sophisticated optics design and advanced image-processing engine, this helps to achieve remarkable image quality. [1] Without Optical SteadyShot™ ( Simulated )   [2] With Optical SteadyShot

The Anti-distortion electronic shutter achieves speeds as fast as 1/32000 sec., while fast data readout from the image sensor reduces distortion for fast-moving subjects. You can also mute the camera's shutter in noise-sensitive scenes, such as candid portraits and animal photos, to avoid distracting shutter clicks and capture subjects in a natural state.

When shooting 4K (QFHD resolution: 3840 x 2160) movies the RX100 VII uses full pixel readout, without pixel binning, and 1.7x oversampling to provide outstanding resolution with reduced moiré and jaggies. The XAVC S video format supports high-bitrate recording (max. 100Mbps) and, with HLG (Hybrid Log-Gamma) capability, you can enjoy HDR images simply by connecting the camera to an HDR (HLG) compatible Sony TV via a USB cable.

Thanks to the evolution of Auto-Focus (AF) algorithms, AF capability for movie shooting has been improved in speed, accuracy, and tracking performance, including better results in dimly lit settings. Autofocus optimises the camera's focus according to the subject, and when Real-time Tracking is activated you can start tracking simply by selecting the subject on the touchscreen, even for movies. AF drive speed and AF tracking sensitivity are adjustable, so you can fine-tune the focus transitions to match the scene.

For the first time in RX series cameras, the RX100 VII can detect and track people's eyes during movie recording, maintaining sharp and steady focus as the subject moves. Focus is set and maintained automatically, so you can concentrate on framing your shots. The feature can be used in conjunction with Touch Tracking – simply touch the corresponding point on the touchscreen to focus on either the subject's left eye or right eye, or switch between eyes.

The camera's image-stabilisation system has evolved to use "Active" mode during 4K movie recording, and thanks to advancements in the camera's algorithms the image stabilisation effect in HD movie shooting is also enhanced in every shooting mode, with more effective results than were previously available. You can additionally use the Imaging Edge™ Movie Edit add-on mobile app to achieve ultra-smooth images similar to what you would see when using a gimbal.

Even though the camera is compact, it includes a newly added jack that can be used to attach external microphones. The standard 3.5mm input enables the use of high-end microphones for professional audio capture for movies and vlogs.  

The camera supports movie recording in vertical format with embedded metadata indicating the camera's orientation. This means that movie clips in this format that are transferred to smartphones can be played back and used as is, without needing to rotate them from horizontal format.

Interval Shooting with a set interval of 1 to 60 seconds is now available within the camera. The resulting still images can be edited into a time-lapse movie on a PC in post production. A simple variable-speed preview function allows a draft of the time-lapse movie to be viewed on the camera. 

The stacked CMOS sensor enables an extra-high frame rate of up to 960fps/1000fps , so even when shooting at 200mm telephoto it's possible to record impressive close-up super slow-motion footage . The frame rate and recording setting can be set independently for slow-motion playback speeds from 1/4 to 1/40th of real-time speed, and can be captured using either start or end triggers to record even the most fleeting of moments.

For more demanding productions, the camera supports a range of movie functions more typically found in professional equipment, including S-Log3 and S-Log2 gamma curves. The wide dynamic range and colour space available using these S-Log profiles is perfect for camera matching and minimising blown-out highlights or lost shadow detail. Additional options for Picture Profile and Creative Style are also available, along with advanced features like Gamma Display Assist, Zebra metering, a Clean HDMI output with Rec Control, timecode, and Proxy recording. There's everything a video professional could need in day-to-day work situations.

The XGA OLED Tru-Finder™ offers sharp resolution (2.35-milliion-dot equivalent), bright self-illumination and high contrast, making it excellent for previewing shots and adjusting settings. Electronic viewfinder eyepiece optics reduce unwanted reflections and ensure corner-to-corner visibility. Depressing the pop-up switch on the side of the body makes the viewfinder instantly available, and it can be retracted just as quickly when not in use.

The high-resolution 921k-dot LCD has a 3.0-type screen which tilts upwards 180° and downwards around 90°, for easy framing of self portraits and high- and low-angle shooting. Touch operations include Touch Shutter (to release the shutter), Touch Focus (to set the focus point), Touch Tracking (to activate focus tracking for the selected subject), and Touch Pad (to smoothly move the focus point). 

Function Menu items can be set independently for still and movie shooting, and help displays are available on the menu screen. The My Menu feature allows for the flexible assignment of 30 menu items, and frequently used functions can also be assigned to the control dial and control wheel with My Dial.

In playback mode, still images can be given a rating or protected from deletion, and these functions can conveniently be assigned to custom keys. Continuously shot images can be displayed in the groups in which they were shot, and groups of shots can be deleted or protected with one operation. You can now also select from four different continuous shooting display styles, for the viewfinder or LCD monitor, according to your preference.

To make your shooting even more fluid and efficient, frequently used ISO ranges and focus-area types are given prominence in their settings screens. The Flexible Spot focusing mode has been simplified to shift through the frame faster – ideal for sporting scenes where the subject often shifts position. In addition, the focus frame can now be switched between red and white to enhance its visibility in diverse shooting environments, and a blue indicator has been added for focus peaking – ideal for warm-coloured subjects.

This product is compatible with Final Cut Pro X and iMovie.