Alpha 7 IV full-frame hybrid camera
ILCE-7M4K
Alpha 7 IV full-frame hybrid camera
ILCE-7M4K
Alpha 7 IV full-frame hybrid camera
ILCE-7M4K
Alpha 7 IV full-frame hybrid camera
Newly developed 33.0MP<sup>1</sup> back-illuminated CMOS image sensor
Newly developed 33.0MP back-illuminated CMOS image sensor
The full-frame Exmor R™ CMOS sensor delivers outstanding speed and superb image quality. The use of copper wiring contributes to higher transmission speeds and faster AD conversion, while fast sensor readout enables 10-bit 4:2:2 4K recording at up to 60p
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. The sensor also provides improved colour reproducibility, low-noise performance at all sensitivities, 15-stop
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dynamic range on stills, and increased AF precision and focal stability.
BIONZ XR™ image processor for up to 8x<sup>4</sup> processing speed
BIONZ XR™ image processor for up to 8x processing speed
The BIONZ XR engine, also used in the flagship α1 and α7S III models, provides up to an 8x
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increase in processing speed. The engine concentrates real-time processing of AF, image recognition and image quality adjustment to minimise processing latency, for greatly increased movie and still processing power. User interface, network, and file management processing is distributed in order to deliver fast response regardless of real-time processing load.
Beautiful image rendering with low noise
Beautiful image rendering with low noise
Visible benefits of the powerful new 33.0MP
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sensor and engine go beyond mere numbers. They include soft, natural-looking human skin textures, a stunning level of detail in landscapes and scenery, and better colour reproduction, with higher subjective resolution resulting from improved algorithms. The standard sensitivity range of ISO 100-51200 is expandable to ISO 50-204800 for stills and ISO 100-102400 for movies, with low-noise performance throughout.
Smoother gradation rendering with 10-bit HEIF recording
Smoother gradation rendering with 10-bit HEIF recording
The α7 IV offers HEIF (High Efficiency Image File)
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still-image encoding, in addition to conventional RAW and JPEG. Smooth 10-bit gradations provide more realistic reproduction of skies and portrait subjects, and the use of 10-bit depth minimises degradation of image quality when editing. HEIF still images recorded in HLG mode can be played back on a compatible BRAVIA 4K TV, via an HDMI connection, to display images with an extraordinarily wide dynamic range.
4K 60p<sup>8</sup> recording, 4:2:2 10-bit recording
4K 60p recording, 4:2:2 10-bit recording
The α7 IV gives you an impressive range of video recording options. Full pixel readout without binning allows 4K 60p
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recording, and when recording 4K movies at 30p, full-frame 7K
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oversampling
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produces high-resolution, highly detailed 4K. 10-bit 4:2:2 video can be recorded internally, allowing fuller, more natural gradations and greater editing freedom. The XAVC HS™ file format
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provides roughly twice the coding efficiency of MPEG-4 AVC/H.264.
Set the mood, in-camera, with Creative Look
Set the mood, in-camera, with Creative Look
Broaden your creative palette with a selection of ten Creative Look presets. You can easily impart a particular mood in your still images, movies and live streaming, and all preset selections are available in-camera without post-editing, so you can share your vision immediately after shooting.
Beautiful colour expression made simple, with S-Cinetone™
Beautiful colour expression made simple, with S-Cinetone™
The α7 IV supports S-Cinetone, based on expertise gained through development of the VENICE CineAlta camera. This look is responsible for the beautiful skin tones for which Cinema Line cameras like the FX9, FX6 and FX3 are widely acclaimed. It delivers natural mid-tones for healthy-looking skin colour, plus soft colours and gorgeous highlights. Because it's in-camera, it's easy to create a more expressive look for your movie imagery without post-editing.
S-Log for colour matching with professional video equipment
S-Log for colour matching with professional video equipment
The α7 IV provides S-Log2 and S-Log3 gamma curves, with the latter allowing capture of 15+ stops
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of dynamic range. The S-Gamut3 and S-Gamut3.Cine colour gamut settings make it easy to match α7 IV footage with footage from VENICE digital cinema cameras or Cinema Line cameras like the FX6 and FX3. The native sensitivity when shooting S-Log is ISO 800, and it can be lowered by as much as two stops (ISO 200-640) below the standard range to achieve extra low noise.
Soft Skin Effect for bright and beautiful skin appearance
Soft Skin Effect for bright and beautiful skin appearance
The built-in Soft Skin Effect makes skin look more beautiful, softening wrinkles, blemishes and dull patches while preserving liveliness in eye and mouth areas. Complementing the capabilities of the full-frame sensor, this feature can add appeal to live-streamed sessions as well as enhancing still shots and movies. Four level settings are available
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, so you can adjust the degree of the effect as you wish.
Optical 5-axis in-body image stabilisation for 5.5-step<sup>15</sup> compensation
Optical 5-axis in-body image stabilisation for 5.5-step compensation
The α7 IV's high-precision stabilisation unit and gyro sensors work with stabilisation algorithms to achieve up to 5.5 steps
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of shutter-speed compensation, to maximise the performance of the camera's 33.0MP
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sensor. This in-body stabilisation allows effective use with a wide range of lenses. The live monitor view shows the stabilised still image while the shutter button is half-pressed, an especially helpful feature when using a telephoto or macro lens, and it can be used in conjunction with the MF Assist and Focus Magnifier features.
Hand-held movie shooting with Active Mode<sup>18</sup>
Hand-held movie shooting with Active Mode
Active Mode
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uses the camera's stabilisation unit, gyro sensors and sophisticated algorithms for highly effective in-camera optical image stabilisation during movie shoots. The powerful processing engine precisely detects the required amount of compensation for smooth stabilisation in all formats
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, including 4K, without compromising the α7 IV's compact size and mobility. And, because the gyro data is also recorded alongside the video, even more effective post-production stabilisation can be applied for ultra smooth shots using Catalyst Browse/Prepare software
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.
Buffer memory supports continuous shooting and recording
Buffer memory supports continuous shooting and recording
Both the mechanical and electronic shutters allow continuous shooting at up to 10 fps
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with AF/AE tracking. The latest powerful processing engine and increased buffer memory allow faster writing to memory cards, so you can shoot more than 800
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uncompressed RAW+JPEG frames (more than 1600 altogether), or more than 1000 compressed RAW+JPEG frames (more than 2000 altogether, up to a full memory card)
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. Increased processing power also allows you to change menu settings even while data is being written to the memory card.
Fast Hybrid AF with improved speed, precision and tracking
Fast Hybrid AF with improved speed, precision and tracking
Using a combination of phase-detection AF and contrast-detection AF, Fast Hybrid AF focuses precisely even on small subjects or on people posed in front of a nighttime background. A wide, dense AF area covers roughly 94 of the image area for both still and movie shooting with 759
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phase-detection points, while the contrast-detection AF system uses 425 points. This vast collection of data is analysed in real time by the latest powerful processing engine to achieve the AF system's impressive results.
AI-based Real-time Eye AF and Real-time Tracking<sup>26</sup>
AI-based Real-time Eye AF and Real-time Tracking
The superior processing power of the BIONZ XR engine has led to improvements in both Real-time Eye AF and Real-time Tracking features. Improved face detection translates into 30 better eye-detection accuracy
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, while faster image processing yields higher accuracy when the subject is looking up, down, or sideways. Real-time Tracking allows you to select your subject and then leave tracking to the camera, relying on the latest subject recognition algorithm and high-speed analysis of spatial data by the processing engine.
Bird mode for Real-time Eye AF, now available in movies
Bird mode for Real-time Eye AF, now available in movies
The Real-time Eye AF function is now capable of detecting the eyes of birds and tracking them in real time, for both still shots and movies. The BIONZ XR engine runs optimised AF and tracking algorithms to ensure uninterrupted tracking even for birds in flight, whose movement is hard to predict. Once you've selected a bird, the camera will automatically detect and precisely track that bird's eye, whether the bird is perched or in flight.
AF control through touch operation
AF control through touch operation
Touch Tracking lets you select a subject to track simply by touching the LCD screen, even while using the viewfinder, for more intuitive AF control for both still shots and movies. Easier focus operation is particularly helpful when you're shooting movies alone or using a gimbal, allowing you to concentrate on composing your shots.
AF Assist for seamless transitions to manual focus<sup>28</sup>
AF Assist for seamless transitions to manual focus
The AF Assist function, inherited from the Cinema Line FX6, lets you seamlessly switch to and from manual focus during movie shoots. When this feature has been turned on, rotating the focus ring temporarily switches operation from autofocus to manual focus to allow you to deliberately shift your focus to a different subject.
Visualise depth of field during movie shoots with Focus Map<sup>29</sup>
Visualise depth of field during movie shoots with Focus Map
The new Focus Map
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overlays focus information onto a live real-time display to show which areas are in or out of focus. Being able to clearly visualise depth of field in this way makes it easier to quickly set up your ideal focus point and depth of field during rehearsal. As a result you can use the camera's excellent video definition and fast lenses to create impressive shots with shallow depth of field.
Breathing Compensation<sup>31</sup> for consistent angle of view when focusing
Breathing Compensation for consistent angle of view when focusing
For the first time in the α series, the α7 IV provides compensation for focus breathing. Focus breathing is any change in a lens's angle of view that corresponds to changes in focus
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. Sony's original Clear Image Zoom technology is used to automatically maintain a consistent angle of view, for more movie-like focus transitions. This feature can be used in conjunction with Active Mode image stabilisation to shoot stable, consistent imagery.
Still/Movie/S&Q dial for quick access to hybrid capabilities
Still/Movie/S&Q dial for quick access to hybrid capabilities
Befitting the α7 IV's status as a true hybrid camera, it comes equipped with a dedicated Still/Movie/S&Q dial to instantly switch between movies and stills. The dial switches the menus, functions, and custom settings of various controls between still and movie mode, and settings such as aperture and shutter speed are also maintained separately for stills and movies. S&Q mode can also be selected, for fast access to slow-motion or quick-motion shooting.
The latest mode-specific menus and customisable Rear dial R
The latest mode-specific menus and customisable Rear dial R
The α7 IV's menus are specific to either stills or movies, and for easier navigation menus are configured to show three levels of hierarchy at once. Separate functions for stills and for movies can be assigned to various buttons and dials, including the new, freely customisable Rear dial R. With controls tailored to whichever shooting mode you are currently using, the flexible access provided by the Rear dial R contributes to greatly enhanced still and movie shooting efficiency.
Vari-angle LCD monitor for greater freedom when shooting
Vari-angle LCD monitor for greater freedom when shooting
The large, side-opening 3.0-type 1.03-megadot
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touch-panel LCD monitor offers ample brightness for clear viewing in outdoor settings, and its 3:2 aspect ratio makes efficient use of the display area. The vari-angle mechanism allows flexible positioning and framing for handheld shots, gimbal-mounted or documentary-style self-shooting, or very low ground-level shots.
3.68 megadot<sup>34</sup> high-definition Quad-VGA OLED viewfinder
3.68 megadot high-definition Quad-VGA OLED viewfinder
The α7 IV's Quad-VGA OLED viewfinder provides roughly 1.6 times the resolution of the α7 III viewfinder, with a 37.3° FOV and a 23mm high eyepoint. With high resolution, improved electronic viewfinder image quality, and fogging and dust resistance (including significantly improved internal fogging resistance relative to the α7 III), it is designed for clear and comfortable viewing in a wide range of shooting environments.
Communication features for easy sharing and distribution
Communication features for easy sharing and distribution
The α7 IV is equipped with robust wired and wireless communication features for more comfortable sharing and distribution. In-body wireless LAN uses a 5GHz
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band in addition to the 2.4GHz
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band, for fast data transfer. Background FTP transfer of files can be set to occur automatically while shooting continues, and a USB Type-C® connector supports fast SuperSpeed USB 10Gbps (USB 3.2 Gen 2) data transfer.
Instant real-time live streaming via USB connection
Instant real-time live streaming via USB connection
Live streaming is as easy as connecting to a computer through a USB connection, and you can choose from four different output formats, including high-resolution 4K video
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. You can select whichever configuration is best for current network conditions and the devices used, and simultaneous internal recording is also available, giving you broad flexibility to cover a wide variety of needs.
High-capacity Z batteries and USB Power Delivery<sup>38</sup>
High-capacity Z batteries and USB Power Delivery
The α7 IV relies on a high-capacity Z battery (NP-FZ100), along with external power options that include USB power supplies
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and AC adaptors. Battery drain can be minimised by adding a high-capacity mobile battery for outdoor shooting. A USB charger or mobile battery that supports USB PD
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can be connected to the camera's USB Type-C® port, for extended recording.
Heat management
Heat management
To allow extended continuous recording, efficient heat dissipation is provided by Sony's proprietary Σ (sigma)-shaped thermal mounting. The mounting, which is also used on flagship models, is constructed from a graphite material with excellent thermal conduction properties. This structure allows the image sensor, a major source of heat inside the camera body, to move freely during image stabilisation while heat is efficiently dissipated.
Newly developed 33.0MP<sup>41</sup> back-illuminated CMOS image sensor
Newly developed 33.0MP back-illuminated CMOS image sensor
Dual media slots allow you to continue shooting even if one memory card fills up. One of the slots supports high-performance CFexpress Type A cards
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, and both slots support UHS-I and UHS-II SDXC/SDHC cards. With their fast write speeds, CFexpress Type A cards are particularly suited to high-speed continuous still shooting as well as high-resolution, high-bitrate 4K movie recording.
Reliable, robust engineering
Reliable, robust engineering
We have improved the dust and moisture resistance of the α7 IV to provide outstanding reliability even in challenging outdoor shooting environments. Design refinements include more sealing at body seams and the battery compartment cover (compared to the α7 III), a redesigned lens lock button, and extra cushioning around the mount. A lightweight, high-rigidity magnesium alloy used for the camera's top cover, front cover, and internal frame provides excellent durability.
Consideration for the environment and resource conservation 
Consideration for the environment and resource conservation 
Sony's "Road to Zero" environmental plan was launched in 2010 with the ultimate goal of achieving a zero environmental footprint. Currently nearly all  plastic packaging materials for the α7 IV are  recycled. Recyclable materials are also used for camera bodies whenever possible, reducing environmental burden without compromising functionality. While retaining state-of-the-art performance, we aim to further reduce energy and resource consumption to reduce the burden on the environment.  
Imaging Edge Desktop™ / Imaging Edge Mobile™
Imaging Edge Desktop™ / Imaging Edge Mobile™
Expand your creative horizons with Imaging Edge Desktop
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and Imaging Edge Mobile
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. The Imaging Edge Desktop PC application lets you control and monitor shoots directly from your PC screen, preview photos, and develop RAW/HEIF data into high-quality photos for delivery. Imaging Edge Mobile applications use the Wi-Fi and Bluetooth® functionality of the α7 IV to provide a wide variety of convenient shooting and sharing functions.
Works with iMovie and Final Cut Pro X
Works with iMovie and Final Cut Pro X
This product is compatible with Final Cut Pro X and iMovie.
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Information on security updates
Information on security updates
ILCE-7M4K
Alpha 7 IV full-frame hybrid camera
  • ILCE7M4KB.CEC_awards_34
ILCE-7M4K
Alpha 7 IV full-frame hybrid camera
Newly developed 33.0MP full-frame back-illuminated Exmor R CMOS image sensor
Advanced BIONZ XR image processing engine with up to 8x the processing performance
Reliable AF capabilities including Real-time Eye AF for humans, animals and birds
Movie-making with 4K 60p, 10-bit 4:2:2 recording capability
Advanced functions for movies including Active Mode, Breathing Compensation and AF Assist
Sensor Type
35 mm full frame (35.9 x 23.9 mm), Exmor R CMOS sensor
Number Of Pixels (Effective)
Approx. 33.0 megapixels
ISO Sensitivity
Still images: ISO 100-51200 (ISO numbers from 50 to 204800 can be set as expanded ISO), AUTO (ISO 100-12800, selectable lower limit and upper limit), Movies: ISO 100-51200 equivalent (ISO numbers up to 102400 can be set as expanded ISO), AUTO (ISO 100-12800, selectable lower limit and upper limit)
Viewfinder Type
1.3 cm (0.5 type) electronic viewfinder (Quad-VGA OLED)
Monitor Type
7.5 cm (3.0-type) type TFT
SEL2870, Rechargeable Battery NP-FZ100, AC adaptor, Power cord, Shoulder strap, Body cap, Accessory shoe cap, Eyepiece cup, USB-A to USB-C cable (USB 3.2), Lens hood, Lens cap, Lens rear cap
Lens
Lens MountE-mount
Image Sensor
Aspect Ratio3:2Number Of Pixels (Effective)Approx. 33.0 megapixelsNumber of Pixels (total)Approx. 34.1 megapixels
Sensor Type35 mm full frame (35.9 x 23.9 mm), Exmor R CMOS sensorAnti-Dust SystemYes (Charge protection coating on optical filter and image sensor shift mechanism)
Recording (still images)
14bit RAWYesPicture Effect-Creative Style-Picture ProfileYes (Off / PP1-PP11) Parameters: Black level, Gamma (Movie, Still, S-Cinetone, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset
CREATIVE LOOKST, PT, NT, VV, VV2, FL, IN, SH, BW, SE, Custom Look (1-6)Picture EffectYesDynamic Range FunctionsOff, Dynamic Range OptimizerColour SpacesRGB standard (with sYCC gamut), Adobe RGB standard and Rec. ITU-R BT.2100 standard (BT.2020 gamut).
Recording system (Still Image)
Recording FormatJPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 4.0 format compliant)
Image Quality ModesRAW (Compressed / Lossless Compressed (L / M /S) / Uncompressed), JPEG (Extra fine / Fine / Standard / Light), HEIF (4:2:0 / 4:2:2) (Extra fine / Fine / Standard / Light), RAW & JPEG, RAW & HEIF
Recording (movie)
Recording FormatXAVC S, XAVC HSColour SpaceRec. ITU-R BT.2100 standard compatible (BT.2020 gamut)SOFT SKIN EFFECTYesMOVIE RECORDING SYSTEM (XAVC HS 4K)3840 x 2160 (4:2:0, 10bit, NTSC) (Approx.): 60p (150 Mbps / 75 Mbps / 45 Mbps), 24p (100 Mbps / 50 Mbps / 30 Mbps), 3840 x 2160 (4:2:0, 10bit, PAL) (Approx.): 50p (150 Mbps / 75 Mbps / 45 Mbps), 3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.): 60p (200 Mbps / 100 Mbps), 24p (100 Mbps / 50 Mbps), 3840 x 2160 (4:2:2, 10bit, PAL) (Approx.): 50p (200 Mbps / 100 Mbps)MOVIE RECORDING SYSTEM (XAVC S 4K)3840 x 2160 (4:2:0, 8bit, NTSC) (Approx.): 60p (150 Mbps), 30p (100 Mbps / 60 Mbps), 24p (100 Mbps / 60 Mbps), 3840 x 2160 (4:2:0, 8bit, PAL) (Approx.): 50p (150 Mbps), 25p (100 Mbps / 60 Mbps), 3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.): 60p (200 Mbps), 30p (140 Mbps), 24p (100 Mbps), 3840 x 2160 (4:2:2, 10bit, PAL) (Approx.): 50p (200 Mbps), 25p (140 Mbps)
MOVIE RECORDING SYSTEM (XAVC S HD)1920 x 1080 (4:2:0, 8bit, NTSC) (Approx.): 120p (100 Mbps / 60 Mbps), 60p (50 Mbps / 25 Mbps), 30p (50 Mbps / 16 Mbps), 24p (50 Mbps), 1920 x 1080 (4:2:0, 8bit, PAL) (Approx.): 100p (100 Mbps / 60 Mbps), 50p (50 Mbps / 25 Mbps), 25p (50 Mbps / 16 Mbps), 1920 x 1080 (4:2:2, 10bit, NTSC) (Approx.): 60p (50 Mbps), 30p (50 Mbps), 24p (50 Mbps), 1920 x 1080 (4:2:2, 10bit, PAL) (Approx.): 50p (50 Mbps), 25p (50 Mbps)MOVIE RECORDING SYSTEM (XAVC S-I 4K)3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.): 60p (600 Mbps), 30p (300 Mbps), 24p (240 Mbps), 3840 x 2160 (4:2:2, 10bit, PAL) (Approx.): 50p (500 Mbps), 25p (250 Mbps)MOVIE RECORDING SYSTEM (XAVC S-I HD)1920 x 1080 (4:2:2, 10bit, NTSC) (Approx.): 60p (222 Mbps), 30p (111 Mbps), 24p (89 Mbps), 1920 x 1080 (4:2:2, 10bit, PAL) (Approx.): 50p (185 Mbps), 25p (93 Mbps)SLOW & QUICK MOTION (SHOOTING FRAME RATE) NTSC mode: 1 fps, 2 fps, 4 fps, 8 fps, 15 fps, 30 fps, 60 fps, 120 fps, PAL mode: 1 fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fpsMovie FunctionsAudio Level Display, Audio Rec Level, PAL/NTSC Selector, Proxy Recording (1280 x 720 (Approx. 6 Mbps), 1920 x 1080 (Approx. 9 Mbps), 1920 x 1080 (Approx. 16 Mbps)), TC/UB, Auto Slow Shutter, Gamma Disp. Assist
Recording system (movie)
VIDEO COMPRESSIONXAVC S: MPEG-4 AVC/H.264, XAVC HS: MPEG-H HEVC/H.265
AUDIO RECORDING FORMATLPCM 2 ch (48 kHz 16 bit), LPCM 2 ch (48 kHz 24 bit), LPCM 4 ch (48 kHz 24 bit), MPEG-4 AAC-LC 2 ch
USB Streaming
VIDEO DATA FORMATMJPEG, YUV420VIDEO RESOLUTION3840 x 2160 (15p / 12.5p) / 1920 x 1080 (60p / 50p / 30p / 25p) / 1280 x 720 (30p / 25p)
AUDIO DATA FORMATLPCM 2 ch (16 bit 48 kHz)SIMULTANEOUS INTERNAL RECORDINGYes
Recording System
Location information Link from smartphoneYesMediaSD memory card, SDHC memory card (UHS-I/II compliant), SDXC memory card (UHS-I/II compliant), CFexpress Type A memory card
Memory Card SlotSLOT1: Multi slot for SD (UHS-I/II compliant) memory card / CFexpress Type A card, SLOT2: Slot for SD (UHS-I/II compliant) memory cardRecording mode on 2 memory cardsSimult. Rec, Sort, Auto Switch Media, Copy
Noise Reduction
Noise ReductionLong exposure NR: On/Off, available at shutter speeds longer than 1 s, High ISO NR: Normal / Low / Off
White Balance
White Balance ModesAuto / Daylight / Shade / Cloudy / Incandescent / Fluorescent / Flash / Underwater / Color Temperature (2500 to 9900 K) & color filter / Custom
SHUTTER AWB LOCK Yes (Shut. Halfway Down / Cont. Shooting / Off)
Focus
Focus TypeFast Hybrid AF (phase-detection AF / contrast-detection AF)Focus SensorExmor R CMOS sensorFocus Point35 mm full frame: 759 points (phase-detection AF), APS-C mode with FF lens: 713 points (phase-detection AF), with APS-C lens: 575 points (phase-detection AF) / 425 points (contrast-detection AF)Focus Sensitivity RangeEV-4 to EV20 (ISO100 equivalent with F2.0 lens attached)Focus ModeAF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), Manual FocusFocus AreaWide / Zone / Center Fix / Spot / Expand Spot / Tracking
EYE AF / SUBJECT RECOGNITION AF[Still images] Human (Right/Left Eye Select) / Animal (Right/Left Eye Select) / Bird, [Movie] Human (Right/Left Eye Select) / Animal (Right/Left Eye Select) / BirdOther FeaturesPredictive control, Focus lock, AF Track Sens. (Still), AF Subj. Shift Sensitivity (Movie), AF Transition Speed (Movie), Switch V/H AF Area, AF Area Regist., Circ. of Focus Point, Focus Map (Movie), AF Assist (Movie)AF IlluminatorYes (with Built-in LED type)AF Illuminator rangeApprox. 0.3 m - approx. 3.0 m (with FE 28-70 mm F3.5-5.6 OSS lens attached)Focus type with LA-EA3 (Sold separately)Phase-detection
Exposure
Metering SensorExmor R CMOS sensorMetering SensitivityEV-3 to EV20 (at ISO100 equivalent with F2.0 lens attached)Metering ModeMulti-segment, Center-weighted, Spot (Standard / Large), Entire Screen Avg., HighlightExposure Compensation+/- 5.0 EV (1/3 EV, 1/2 EV steps selectable)Exposure BracketingBracket: Cont., Bracket: Single, 3/5/9 frames selectable. (Ambient light, Flash light)AE LockLocked when shutter button is pressed halfway. Available with AE lock button. (On/Off/Auto)
Exposure Modes[Still images] Intelligent Auto (Auto) / Program Auto (P) / Aperture Priority (A) / Shutter Priority (S) / Manual Exposure (M), [Movie] Intelligent Auto (Auto) / Program Auto (P) / Aperture Priority (A) / Shutter Priority (S) / Manual Exposure (M) / Flexible Exp. Mode, [Slow & Quick Motion] Intelligent Auto (Auto) / Program Auto (P) / Aperture Priority (A) / Shutter Priority (S) / Manual Exposure (M) / Flexible Exp. ModeISO SensitivityStill images: ISO 100-51200 (ISO numbers from 50 to 204800 can be set as expanded ISO), AUTO (ISO 100-12800, selectable lower limit and upper limit), Movies: ISO 100-51200 equivalent (ISO numbers up to 102400 can be set as expanded ISO), AUTO (ISO 100-12800, selectable lower limit and upper limit)Anti-flicker Shoot.YesScene Selection-Metering Type1200-zone evaluative metering
Viewfinder
Viewfinder Type1.3 cm (0.5 type) electronic viewfinder (Quad-VGA OLED)Number of Dots3 686 400 dotsField Coverage100%MagnificationApprox. 0.78x (with 50 mm lens at infinity, -1m-1)
Dioptre Adjustment-4.0 to +3.0 m-1Eye PointApprox. 23 mm from the eyepiece lens, 18.5 mm from the eyepiece frame at -1m-1 (CIPA standard)DISPLAY FUNCTIONHistogram, Real-time image-adjustment display, Digital level gauge, Grid line, Focus check, Peaking MF, Zebra, Movie marker, Emphasized display during RECFinder Frame Rate SelectionSTD 60 fps / HI 120 fps
LCD Screen
Monitor Type7.5 cm (3.0-type) type TFTTouch PanelYesNumber of Dots1 036 800 dots
Brightness ControlManual (5 steps between -2 and +2), Sunny Weather modeAdjustable AngleOpening Angle: Approx. 176 °., Rotation Angle: Approx. 270 °.Focus MagnifierYes, Focus Magnifier (35 mm full frame: 5.5x / 11.0x, APS-C: 3.7x / 7.3x)
Other Features
PlayMemories Camera Apps™-Clear Image ZoomStill images: Approx. 2x, Movies: Approx. 1.5x (4K), Approx. 2x (HD)Face DetectionModes: Face/Eye Priority in AF, Face Priority in Multi Metering, Regist. Faces Priority
Self-Portrait Self-timer-Others-
Shutter
TypeElectronically-controlled, vertical-traverse, focal-plane typeShutter TypeMechanical shutter / Electronic shutterShutter SpeedStill images: 1/8000 to 30 s, Bulb, Movies (NTSC mode): 1/8000 to 1/4 (1/3 steps), up to 1/60 in AUTO mode (up to 1/30 in Auto slow shutter mode), Movies (PAL mode): 1/8000 to 1/4 (1/3 steps), up to 1/50 in AUTO mode (up to 1/25 in Auto slow shutter mode)
Flash Sync. Speed1/250 s (35 mm full frame), 1/320 s (APS-C)Electronic Front Curtain ShutterYes (ON/OFF)Silent ShootingYes (ON/OFF)
Flash Control
ControlPre-flash TTLFlash Compensation+/- 3.0 EV (switchable between 1/3 and 1/2 EV steps)Flash ModesFlash off, Autoflash, Fill-flash, Slow Sync., Rear Sync., Red-eye reduction (on/off selectable), Wireless, Hi-speed sync.Recycling Time-
External Flash CompatibilitySony α System Flash compatible with Multi Interface Shoe, attach the shoe adaptor for flash compatible with Auto-lock accessory shoeFE Level LockYesWireless ControlYes (Light signal: Available with Fill-flash, Slow Sync., Hi-speed sync. / Radio signal: Available with Fill-flash, Rear Sync., Slow Sync., Hi-speed sync.)
Image Stabilization
TypeImage Sensor-Shift mechanism with 5-axis compensation (Compensation depends on lens specifications)
Compensation Effect5.5 stops (based on CIPA standard. Pitch/yaw shake only. With Planar T* FE 50 mm F1.4 ZA lens mounted. Long exposure NR off.)
Drive
Drive ModesSingle Shooting, Continuous shooting (Hi+/Hi/Mid/Lo selectable), Self-timer, Self-timer (Cont.), Bracket: Single,Bracket: Cont., White Balance bracket, DRO bracketContinuous Drive Speed (approx. max.)Continuous shooting: Hi+: 10 fps, Hi: 8 fps, Mid: 6 fps, Lo: 3 fpsNo. of recordable frames (approx.)JPEG Extra fine L: over 1000 frames, JPEG Fine L: over 1000 frames, JPEG Standard L: over 1000 frames, RAW: over 1000 frames, RAW & JPEG: over 1000 frames, RAW (Lossless Compressed): over 1000 frames, RAW (Lossless Compressed) & JPEG: over 1000 frames, RAW (Uncompressed): over 1000 frames, RAW (Uncompressed) & JPEG: 828 frames
Self-Timer10 s delay / 5 s delay / 2 s delay / Continuous self-time / Bracketing self-timerPixel Shift Multi Shooting-
Playback
Photo CaptureYes
Print
Compatible StandardsExif Print, Print Image Matching III
Custom function
TypeCustom key settings, My Menu, My Dial Settings, Reg Cust Shoot Set, Programmable Setting (Body 9 sets / memory card 12 sets)
Lens Compensation
SettingPeripheral Shading, Chromatic Aberration, Distortion, Breathing (Movie)
Interface
PC InterfaceMass-storage / MTPMulti / Micro USB TerminalYesSync Terminal-BluetoothYes (Bluetooth Standard Ver. 4.1 (2.4 GHz band))Multi Interface ShoeYes (with Digital Audio Interface)
Vertical Grip ConnectorYesMic TerminalYes (3.5 mm Stereo minijack)Headphone TerminalYes (3.5 mm Stereo minijack)LAN Terminal-FUNCTIONSFTP Transfer Func. (Wired LAN(USB-LAN), USB Tethering, Wi-Fi), View on Smartphone, Remote control via Smartphone, PC Remote, BRAVIA Sync (Control for HDMI), PhotoTV HD
Audio
MicrophoneBuilt-in, stereo
SpeakerBuilt-in, monaural
Power
Supplied BatteryOne rechargeable battery pack NP-FZ100Internal Battery ChargeYes (Available with USB Type-C Terminal. USB Power Delivery compatible)
USB Power supplyYes (Available with USB Type-C Terminal. USB Power Delivery compatible)
Size & Weight
Weight (with battery and memory card included)Approx. 658 g (approx. 1 lb 7.3 oz)
Dimensions (W x H x D)Approx. 131.3 mm x 96.4 mm x 79.8 mm, approx. 131.3 mm x 96.4 mm x 69.7 mm (From grip to monitor) (approx. 5 1/4 x 3 7/8 x 3 1/4 inches, approx. 5 1/4 x 3 7/8 x 2 3/4 inches (From grip to monitor))
Others
Operating Temperature0 - 40 ℃ / 32 - 104 °F
ILCE-7M4K
Alpha 7 IV full-frame hybrid camera
41 Approximate, effective.

42 CFexpress Type B memory cards are not supported.

43 Not guaranteed to be 100% dust and moisture proof.

44 Imaging Edge Desktop version 3.2 or later is required.

45 Imaging Edge Mobile version 7.6 or later is required.

46 Final Cut Pro, iMovie, and Mac® are trademarks of Apple Inc., registered in the U.S. and other countries. The Mac logo is a trademark of Apple Inc.

1 Approximate, effective.

2 QFHD (3840×2160). 4K 60p (50p) recording available in Super 35 mode only.

3 Sony test conditions, still images.

4 Compared to the BIONZ X image processing engine. Sony tests.

5 Compared to the BIONZ X image processing engine. Sony tests.

6 Approximate, effective.

7 Imaging Edge Desktop (Remote/Viewer/Edit) version 3.2 or later is required to view and edit HEIF images.

8 QFHD (3840×2160). 4K 60p (50p) recording available in Super 35 mode only.

9 QFHD (3840×2160). 4K 60p (50p) recording available in Super 35 mode only.

10 7032 x 3958.

11 At 4K 30p/24p (25p).

12 XAVC HS compatible editing software is required. XAVC HS format uses the MPEG-H HEVC/H.265 high-efficiency codec.

13 S-Log3, Sony internal tests.

14 Available settings for this feature are OFF, LO, MID, and HI.

15 CIPA standards. Pitch/yaw shake only. Planar T* FE 50mm F1.4 ZA lens. Long exposure NR off. Still-image mode.

16 CIPA standards. Pitch/yaw shake only. Planar T* FE 50mm F1.4 ZA lens. Long exposure NR off. Still-image mode.

17 Approximate, effective.

18 Slight image crop in Active Mode. "Standard" setting recommended for focal lengths of 200mm or longer.

19 Slight image crop in Active Mode. "Standard" setting recommended for focal lengths of 200mm or longer.

20 Active Mode is not available when recording at 120 (100) fps.

21 Catalyst version 2021.1 or later is required.

22 Up to 10 fps in continuous “Hi+” mode and up to 8 fps in continuous “Hi” mode. Maximum fps will depend on camera settings. Sony test conditions.

23 CFexpress Type A memory card is required.

24 Maximum continuous shooting speed is 6 fps when shooting uncompressed RAW / uncompressed RAW+JPEG images.

25 759 AF measurement points for still images. The number of points used varies according to the shooting mode.

26 Tracking in the menu.

27 Compared with the α7 III.

28 Not available when using the SELP1650, SEL18200LE or A-mount lenses.

29 The Focus Map function cannot be used under the following conditions: when shooting stills, when the Focus Magnifier function is in use, when using digital zoom, during USB streaming, when no lens is mounted, when an A-mount lens is mounted, or when using the SEL16F28. For other lenses, please use the latest firmware.

30 The Focus Map function cannot be used under the following conditions: when shooting stills, when the Focus Magnifier function is in use, when using digital zoom, during USB streaming, when no lens is mounted, when an A-mount lens is mounted, or when using the SEL16F28. For other lenses, please use the latest firmware.

32 Compatibility of lenses is limited. Please see Sony support page for lens compatibility.

33 Approximate.

34 Approximate.

35 5GHz communication may be restricted in some countries and regions.

36 IEEE 802.11 a/b/g/n/ac standards are supported.

37 Available formats are 4K 15p (12.5p), Full HD 60p (50p), Full HD 30p (25p), and HD720 30p (25p).

38 USB charging and power delivery are only supported via the USB Type-C® terminal. A battery must be installed in the camera when supplying USB power. The internal battery may drain even if USB power is supplied, depending on the adaptor used and camera operating conditions.

39 USB charging and power delivery are only supported via the USB Type-C® terminal. A battery must be installed in the camera when supplying USB power. The internal battery may drain even if USB power is supplied, depending on the adaptor used and camera operating conditions.

40 9V/3A output. Compatibility is not guaranteed with all USB PD devices. The internal battery will not be charged while camera power is ON and the camera is in use.

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